Claire Danes gets a lot of attention for her “cry face.” It is, indeed, a sight to behold. Engulfed by waves of sorrow, her chin vibrates, her eyes scrunch, the corners of her mouth turn down as though tugged by invisible weights. But the crying is just an extreme expression of Danes’ greatest asset: her ability to convey abjection. This quality shaped her performances in roles as different as My So-Called Life’s angsty teen Angela Chase and the doomed female lead in Romeo + Juliet, the bipolar CIA agent in Homeland and the Manhattan supermom of Fleishman Is in Trouble. Even surrounded by misfit buddies or concerned colleagues, her characters feel wholly, miserably—but also, somehow, relatably—alone.
Loneliness happens to be the defining attribute of Danes’ latest antihero, Aggie Wiggs, the…